Cinema

Phinehas Veuillet’s 'Neither Day Nor Night' delves into the struggles of a newly religious Mizrahi family in Bnei Brak, exposing deep-seated biases in Haredi society.

Despite its Oscar buzz, The Brutalist is a tedious, pretentious mess that tests audience patience with its excessive length and heavy-handed messaging.

Louis Kemp, Bob Dylan’s childhood friend, relives their shared past while watching A Complete Unknown, the new biopic capturing Dylan’s rise to fame.

The festival will open with a screening of In Jerusalem, a short film by David Perlov known for its poetic look at the divided city in 1963.

At Haifa Film Festival, Oscar-winning director discusses France’s antisemitism.

A tribute film about Spielberg at the graduation outlined her career, and its narrator noted, “Nancy fights to make the Israeli voice heard, connecting her love for cinema with her love for Israel.

These provocative performances inflame hatred against Israel and Jews, and incite acts of violence against them.

As restaurants and clubs fill up on New Year's Eve, the Planet chain presents a unique alternative: VIP movie nights with premieres and a festive menu.

Qedar said the film will be shown on January 9 in the Freud Museum in Vienna. “That will be a very powerful night, like a séance. I’m very curious how the film will be accepted.”

There are all kinds of genres on these lists, but they all have one trait in common: They were good enough to hold our interest in a year when our real lives were looking more unreal.